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effective once its members acquire greater sharpness of attack. Miss Graham uses this horrifying tale to present one symbol after another. They concerned human experiences and deep emotions of the human heart (MarthaGraham. Night Journey was filmed for educational television by director Alexander Hammid as part of a three episode series. Her works often had a strong emotive foundation. She did this to allow the audience to focus entirely on the emotions being conveyed. Dance Research: The Journal of the Society for Dance Research. A b c chapters of a dissertation proposal d e "Night Journey (1960.
Forced to drop the macro environmental forces essay rope connecting them, the couple performs a dance of realization and shame. 19 When legal battles over rights to Graham's work were settled, Night Journey reentered the Martha Graham Dance Company repertory. 18 With the rest of the company repertoire, the work was not performed during the protracted Graham. The chorus members hold cupped hands in front of their faces in an effort to avoid watching the unfolding tragedy. So expressive in their violence, so provocative in their implication, so moving in their emotional content are these expressions of Jocasta's e might easily be able to tell the entire story without benefit of the actual appearance of Oedipus, or the Seer, or the Daughters. The New York Herald Tribune' s critic "particularly like the glittering yet distorted bed which focused upon and symbolized the nature of the evil tragedy which best Jocasta and Oedipus." 14 The New York Times reviewer John Martin found it "highly stylized. Nevertheless, 'Night Journey when danced well, can be powerful. Wrapping her in his cloak, Oedipus and Jocasta engage in what appears to be an exchange of vows. A b Macaulay, Alastair (September 13, 2007).
Night Journey (1961) - #406 Criterion Reflections Night Journey ballet by Graham Martha Graham s Night Journey - jstor